French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.   Related Paintings of Pierre-Auguste Renoir :. | Gabriele mit Rose | Les pecheuses de moulesa Berneval | Bouquet de tulipes | Duraznos y cerezas | Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir |
Related Artists:
Arnold Genthe
German-born American Photographer, 1869-1942,German-born American photographer who received a doctorate in philology and linguistics from Jena University in 1894. As a photographer he was self-taught, and is probably best known for his pictures of Chinatown in San Francisco (1896-1906), where he opened a portrait studio in 1897, two years after arriving in America. Although his studio and equipment were destroyed in the 1906 earthquake, his prints survived and the Chinatown photographs were published in 1908. In that year he also started making autochromes. Genthe travelled widely in South America, Japan, and Germany, photographing landscapes and architecture, and in 1910 exhibited at the International Exhibition of Pictorial Photography in Buffalo organized by Alfred Stieglitz. Relocating to New York in 1911, he flourished as a celebrity portraitist. He also became celebrated for his dance photographs, published in The Book of Dance (1916) and Impressions of Isadora Duncan (1929). His autobiography,
baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.